“Josie Fallon takes her future into her own
hands when she finds she’s been sold to a brothel by Angel’s Refuge, the
orphanage in which she grew up, escaping into the desert with two fellow
refugees. In the wide-open Arizona Territory of the 1880s, they’re taken in by
a compassionate former outlaw, who teaches Josie the survival skills she sorely
needs. Josie’s an apt pupil, especially with a gun. When she finds out the
syndicate that runs Angel’s Refuge also owns more orphanages, Josie leads her
companions, including a fascinating but dangerous young man, on a vendetta ride
to shut them all down. It’s not simply revenge, now it’s about justice for the
vulnerable and Josie vows to give them a chance at a life they will never find
on their own. Their journey takes them down dark and dangerous roads and once
the wanted posters go up, Josie realizes she and her friends may not have much
of a future themselves, only steps ahead of those who would stop them with a noose
or a bullet.” –synopsis for Fallen Child.
This
month, we profile award-winning western and historical fiction author, Kathleen
Morris. Kay has written a series of standalone historical westerns that take
place in or near the Arizona desert that she calls home.
15) Kay, there’s
a strong element of feminism and female empowerment in your western historical
fiction. So how do you know where to draw the line delineating what’s authentic
from what’s anachronistic or do you care about such distinctions?
I believe that strong independent women have been
around since the dawn of time. It’s the society and the restrictions put upon
them, whether it’s physical, cultural or religious, that have kept many of them
from their fullest potential. I write about women that defy those odds and
build their lives by meeting challenges. Maybe because I have met and dealt with my
challenges, I like to write about other women who’ve done the same, although
their lives are much more colorful and dangerous than mine. That’s what
imagination is for. So, I don’t draw that line because for me, and I
believe firmly for those in the past, it’s just not there.
14) Was there
really a sex trafficking ring like Angel’s Refuge in the 19th century
American southwest?
Not that I’m aware of, but there could have been. I
have little faith in some people’s better angels and that’s held true through
time, certainly. I came to the idea for Fallen
Child through a friend whose great-uncle ran an orphanage in southern
Arizona, where quite a few of the children had been travelers on one of the
Orphan Trains. The Orphan Trains were started when benevolent religious
societies in the big East Coast cities rounded up street urchins and what they
thought were orphans, and put them on a train heading west, stopping across the
country to have the children adopted into families who had shown interest.
Sometimes this didn’t work out very well, although some have said it did. I
have doubts.
13) According to
your blog,
something similar happened to us when we were in 5th grade: You sold
your first detective stories and I sold my first comic books. Our first
royalties! Do you think that contributed to your becoming a professional
novelist later in life?
Absolutely, although life got in the way for some
time. I got a bit more sophisticated than Nancy Drew but those books were
inspirational, even though I thought Nancy was sort of a wimp. I wanted to make
my heroines tougher, but you can only go so far in fifth grade. True for you as
well, I think.
12) Plotter,
pantser or plantser?
Yeah, we talked about this and you know I don’t like
labels. I get an idea, a glimmer, and then I think about it for a while,
sometimes do a little research, and then start in. About three chapters in, I
take a breath and figure out where it’s going to eventually go, sort of
Margaret Atwood style.
11) Unlike any
of my subjects, you write standalones. Have you ever been tempted to turn any
of them into a series?
Yes. The
Transformation of Chastity James is ripe for that, as is The Wind at Her Back. Under
consideration for sure.
10) Late last
month, you’d launched a novel that I was privileged to beta read earlier this
year entitled Risk. Can you tell the readers a bit about this
excellent story?
I’m very happy you liked it. It’s about two Nashville
musicians whose dream is to be the next Civil Wars on a hard-scrabble tour that
find a backpack full of a million dollars in cash in a diner. Of course, they
take it. It doesn’t take long for them to realize that another much more deadly
couple lost it and wants it back. A cat and mouse chase begins through the
West. To make things worse, the money was part of a cartel drug deal gone
wrong, and the cartel leader is after the original thieves just as the fleeing
thieves are after the musicians.
I think everybody at one time or another has
wondered what they’d do if they found a bag full of a lot of money and no one
around to see them take it, so I wrote my version and had a lot of fun with it.
I chose musicians on tour especially because I have some familiarity with the
music business and how difficult it can be.
9) Most of your novels take place in the 19th
century American Southwest. Have you ever given any thought to writing a
crossover featuring two of your standalone characters?
Yes, already have, in fact. A character in Chastity James becomes a major character
in The Wind at Her Back, and I have
additional plans for the charming Mr. Julius DeMonte.
8) The Lily of the West is partly about Big Nose Kate Haroney, the lover of
Doc Holliday. How difficult or easy was it for you to do research on her life?
I first discovered her grave in Prescott, Arizona,
and of course we’ve all seen a character in all the movies about the Earps and
the OK Corral, where she plays a minor part. I thought she had a story that
might be worth investigating and it certainly was. Kate was something special,
and I wanted to tell her story in the way I thought she’d want it to be told.
Much of her life was here in Arizona, and I spent many days in places she’d
lived and in dusty historical archives ferreting out more.
I also discovered people had written so much utter
trash about her that I had to sift through rubbish in my quest for truth,
including those who purport themselves to be “historians”. That is an issue
when writing about the so-called “Wild West”, I’ve found.
7) Describe your
typical writing day, if there’s any such thing. Do you set daily or weekly word
goals and do you draft in a notebook or laptop or both?
I don’t set goals because they annoy me, frankly.
I’m rather ornery and don’t like anyone setting parameters for me, even myself.
I write on a desk computer for the most part, unless I’m traveling, and then I
take a laptop. There hasn’t been much traveling lately. I usually get all tasks
done in the morning and then start writing in the afternoon, and sometimes it
goes on into the night.
6) Risk showed that you have a great talent
for writing smart, savvy contemporary thrillers. So, what’s the attraction of
writing historical fiction?
Thank you. I really enjoyed writing Risk, because I love thrillers, they’re like
a box of chocolates for me, but I began writing seriously again when I quit my
job and took a leap of faith, because I’d been spending time at a friend’s
ranch in southeastern Arizona and Kate started me on the historical fiction
path. I became so familiar with so much of the territory and characters from
this era that I continued to put that to use. That said, my mentor/most revered
writer is Dorothy Dunnett, whose historical novels are, in my opinion, works of
art in the craft of writing. UC Berkeley used to have a class devoted to her. I
will never achieve her level of excellence but it’s good to have a pie in the
sky goal.
5) Have any of
your multiple career paths informed or influenced your work as a novelist?
Sadly, no, they only let me know what I didn’t want
to be doing, but doing it because it provided me with a good income because I
was very good at it. Throughout most of them, I was always careful to be sure I
had my own office and a computer screen that never faced the door, because I
was often doing class prep for my writing classes, or copywriting or editing
for my side business. In my defense, most administrative jobs can be
accomplished in four hours or less of a working day, as the pandemic has most
definitely illustrated.
4) Considering
that you grew up in frigid northern Michigan, how did you come to discover the
American Southwest and what attraction does it hold for you besides the warm
weather?
My sister-in-law went to Arizona State University,
and was nuts about the Southwest, so we started investigating. Another leap of
faith, sold our house and moved to Phoenix. We got lucky because what’s not to
love about having your own horses, beautiful weather, friendly people and all
this history to explore? Since then I’ve lived all over the West, from here to
Seattle, and I pretty much like all of it. Still, I’m a desert rat and it
always pulls me back in. Open skies, mountains, fewer people and less congestion.
3) What led you
to create Fiona Shanahan, the heroine in The Wind at Her
Back?
I spent some time in Ireland in 2018 and fell in
love with the place. I particularly loved the small villages, sometimes with
nothing more than a pub, a couple of shops and a few houses, but nearly always
with a church and a graveyard, and an abbey or a castle not far away. Then I
went to Cobh, or Cork, and thought about the immigrants who left from there,
during An Gorta Mor, the great hunger, and what would’ve happened to them.
2) Is there a
female subject from the Old West that you’d like to write about but haven’t?
Oh yes. In fact, I’m writing about her right now, my
next book. I can’t say her name, but you’ll know soon. I’m very lucky because
I’m getting a lot of support and information from her family.
1) So, what’s
next for Kay Morris?
Always
the next book, of course. Then, I’m thinking about a series with a character
who seems to be immortal, as he keeps showing up from one century to the next.
He is not, emphatically, a vampire, a werewolf or anything pop romance horror.
He simply has an amazing bloodline and a very strong will.
Thank
you, Robert, for your interest in me and my work, and allowing me to do this
interview with you. I greatly appreciate it.
If
you’re interested in learning more about Ms. Morris’ work, then follow the
links below.
FB
Author page
Amazon Author page
The Transformation of Chastity James.
Fallen Child.
The Lily of the West.
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